Tony Meade
Active Member
SESSION 135
Comment on the awakening of Isildur’s Bane:
Comment on the awakening of Isildur’s Bane:
- Are we to understand that it has awakened, or that it is still to come? What does it mean for it to awaken? What does it do when it is awake, and how is it awakened?
- The metaphor of awakening probably refers to its revelation, and the fact that it is linked in the poem to the halfling means that this refers to the moment Frodo brings it out for all to see.
- The awakening probably isn’t referring to any change in the internal state of the Ring,
- In the bigger picture, the halfling standing forth may also refer to Frodo’s taking on the quest to carry the Ring to Mount Doom, though that is not yet decided.
- Any change in the state of the Ring has more to do with its location and the power of the Enemy acting in the world. The Ring itself is not showing more agency or sentience of its own.
- Since the prophecy refers to the awakening of the Ring in the future tense, it cannot be referring to a moment that has already happened. The Council is the earliest moment that it could awake.
- Gandalf has already spoken about the will within the Ring already being at work, so this cannot be what is referred to as its awakening. This was the state it was already in when he told Frodo.
- Is the term “Isildur’s Bane” a reference to the temptation to take the Ring, and not the Ring itself? This might contradict Elrond’s gloss on the story of the Ring, but that also fits the facts.
- In a sense, the term “Isildur’s Bane” is a warning to Boromir, who’s desire for the Ring was immediately awakened during the Council, as Sam will say later.
- While the Ring strengthens over time as it approaches Mordor, this is more of a process than a distinct moment, aside from when Sam crosses into Mordor itself and perceives a difference.
- Also, while the Ring’s finding by Déagol is important in the history of the Ring, it is in the past.
- The poem specifically refers to what will happen in Imladris, and therefore this moment of awakening must happen there, which will prompt all the other actions in the poem.
- Both senses of “doom” are relevant in the doings in Imladris, in that they are facing a final destruction, but also as the great destiny placed upon them.
- This is a message delivered specifically to the leadership of Gondor and requires them to act. This is not a universal message for Middle-earth, but Boromir delivers the words to the Council.
- Frodo “stands forth” in two senses as well, in both his physical standing forth to show the Ring, but also his willingness to take on the quest, and in doing so distinguishes himself.
- Who is speaking the words of the poem in the dream? This is never revealed in the text, though many speculate that it is Gandalf, since as Olórin, he is associated with dreams and with Faramir.
- This seems unlikely, though, since Gandalf’s powers in Middle-earth are limited within bounds, and he is not associated with prophetic visions in the way that some of the Valar have been.
- It seems more likely that this message comes from the West, and that this is a sign that the Valar are still acting within Middle-earth, though from whom specifically is not as clear.
- The only thing that Aragorn volunteers himself is to show the Sword that was Broken. He doesn’t introduce himself, or claim any titles, or explain the meaning of the Sword.
- This responds to the first two lines of the poem, but he doesn’t give any more information.
- Elrond is the one who is not satisfied with this response, and expounds briefly, but Boromir’s confusion is understandable since the poem implies that the person with the Sword matters.
- Boromir raises the two sensible questions, given the instructions he was given in the dream.
- What does Boromir think he is doing in Rivendell? He must have a theory of what might happen.
- It’s important to remember that Aragorn is not impressive-looking at the Council. He is back in his traveling clothes, and looks more like the Ranger, unlike how he looked in the Hall of Fire.
- The leanness of Aragorn’s face implies a hard life, and he certainly doesn’t look prosperous. He also is probably not powerfully built, like Boromir, though his height is emphasized.
- If Boromir perceives that his purpose in coming to Rivendell was to meet whoever had the Sword, he will question him based on his appearance, though it isn’t necessarily hostile.
- It is important that Aragorn doesn’t answer his questions. It is Elrond who answers, but we are not given external cues to know the manner in which Elrond answered, or if he is intervening.
- Is Elrond taking control over the exchange, or is Aragorn allowing Elrond to decide what to reveal and when? Aragorn has taken it upon himself to fulfill part of the prophecy, but no more.
- In the poem, as here, the taking of counsels immediately followed the revelation of the Sword.
- There are many ways that Elrond could have introduced Aragorn, but he chooses to start with his personal name, though it would be meaningless to Boromir, unlike his ancestry.
- Note: In the film, Boromir has heard of Aragorn, but in the book, he is completely unknown.
- Elrond answers the two questions in order; first, he says who Aragorn is personally, and secondly, who he is in reference to Minas Tirith, by explaining his lineage.
- It seems important that Elrond chooses not to emphasize his descent from Elendil, but from Isildur as both Elendil’s son and his connection to Minas Ithil, sister city to Minas Anor.
- Isildur would not be thought of first and foremost as King of Gondor, as he never ruled Gondor personally, but was primarily associated with founding Minas Ithil, and later ruling as High King.
- The word “king” is never mentioned in Elrond’s introduction, so sidestepping any potential conflict for the moment. Elrond is showing care and diplomacy, but not hiding anything.
- There is a parallel being implied between the two sister cities of old, Minas Anor and Minas Ithil, and the peoples of the North and South kingdoms, as the Dúnedain come to aid Gondor.
- However, while people might not recognize Isildur’s kingship in Gondor, Elrond mentions him as Elendil’s son, and Elendil’s position as High King over the Numenoreans-in-exile is unquestioned.
- While Aragorn has a claim to the kingship, he is not actually the king until he is crowned, therefore it would be inappropriate to introduce him as a king at this point.
- It is also important that Elrond is not directly stating Aragorn’s right to claim the kingship, but instead states the evidence for this claim, setting the stage for the claim to be made later.
- Elrond only gives Aragorn’s current title as the Chieftain of the Dúnedain in the North. While this is sensible, the pivot toward the fewness of them, and the term Dúnedain itself, is important.
- In the earlier conceptions of the Dúnedain, there was no thought of the geography of Middle-earth beyond the areas mapped out in The Hobbit.
- Gondor was invented during the writing of the Council of Elrond, and the few Numenoreans who survived had been taken in as the leaders of Gondor, which already existed as a country.
- However, they were later expelled in a rebellion, and the former Dúnedain rulers escaped to the North and founded a new kingdom there at the city of Fornost.
- So, the return of the king was of a previously exiled house being welcomed back, not of a lost line of heirs to the throne. It is a story of reconciliation rather than a restoration.
- When the lord of Minas Tirith died, the people had to choose between Aragorn and Boromir, who survived, and they chose Aragorn in an election, much to Boromir’s displeasure.
- Boromir would then have rebelled and joined Saruman in the fight against Minas Tirith.
- In the final version, the return of the king is still associated with the former glory of Gondor, which means a lot to Boromir, and he would have some respect and awe for a link to it.