Tony Meade
Active Member
SESSION 58
Comment on Strider’s insult of Butterbur:
Comment on Strider’s insult of Butterbur:
- The first impression of Strider’s expression is to think that he is calling Butterbur stupid.
- We know from Gandalf’s words later in Rivendell that he doesn’t think that about Butterbur.
- Strider doesn’t seem to call him stupid; he is commenting on Butterbur’s forgetfulness.
- Strider is using hyperbole to remind Butterbur that he has failed to carry out Gandalf’s instructions and can’t help in the way that the hobbits really need.
- None of the allies here have done particularly well in Bree. The hobbits have been careless and Butterbur forgetful, but even Strider had failed to find a better way to contact the hobbits.
- Strider and Butterbur are not exactly friends, but it does seem as if Strider is trying to banter.
- Is Strider’s pain at the mention of the Nazgûl a reflection that the Black Riders have recently killed or overran several of his kin further south?
- News could have reached him by now, based on the dates in Appendix B. It’s been a few days to a week since it happened, and we know that he has received word about the Black Riders.
- Strider prefers to be secretive, while Gandalf is more brash and in the open.
- Strider has never even given a pseudonym, and he allows others to name him Strider.
- Gandalf knows that the Bree-folk don’t trust wizards and magic-doers, and yet he is very open about his role. Butterbur will even vouch for him in spite of this.
- Strider often lurks in corners, while Gandalf will walk into Butterbur’s room without walking.
- Note: In Gandalf’s letter, he only gives instructions about the Prancing Pony in case Frodo went through Bree, though it was almost certain that they would pass through. He seems to be assuming that Frodo would be better at being stealthy and might avoid populated centers.
- Gandalf is showing in his first postscript that he knows about the Ringwraiths and that they are stronger at night and will be drawn to the Ring if Frodo uses it.
- Frodo might be embarrassed to read this, knowing the two times he has put on the Ring.
- Gandalf pointedly does not explain why this is so important, though he emphasizes its importance with the exclamation points. This is similar to what Gildor did.
- Gandalf is not concerned about the Ringwraiths yet, as he believes that they are still a long way off, but he is playing it safe by warning Frodo about how to avoid them now.
- He also gives Frodo instructions to not travel by night, which Frodo has already done. However, this would be counterintuitive, as traveling by night would increase his stealth normally.
- Gandalf might be worried that the letter could be intercepted, so he is evasive in talking about sensitive information, such as the Ring.
- He wants to avoid alarming Frodo about the Ringwraiths, so he avoids mentioning them, too.
- Note: The number of postscripts added shows the haste with which the letter was written.
- Note: The description that Gandalf gives in the body of the letter of Strider is similar in its lack of specificity as his spoken description of Frodo to Butterbur.
- Gandalf is not in too much haste to write out the entire verse about Aragorn, but he is in too much haste to explain it in writing.
- The eventual function of this poem is to act as a confirmation when Strider quotes it later, but Gandalf has not put any instructions along with the poem to ask Strider about it.
- The poem is divided into two sentences, each covering four lines and ending with a period.
- Each of couplet is divided by a comma, and the first two lines of the quatrain by a semicolon.
- This is not hobbit meter (iambic) nor Bombadil’s (trochaic). This is written in triplets (anapest).
- Note: Anapest is rare in Tolkien’s poetry, but it is common in Dr. Seuss’, written in tetrameter.
- Lines three and four are concerned with winter imagery. It gives a sense of waiting to return.
- The first two lines are concerned with things being different from what they appear.
- Note: Tolkien takes the famous line from Shakespeare’s The Merchant of Venice and creates a new meaning by reversing the placement of gold and glitter. In Shakespeare, the message is about not being fooled by beautiful appearances, while Tolkien’s message is to look underneath unattractive appearances for something greater and nobler.
- The theme of appearances vs inner nature is continued in the second pair of lines.
- The second quatrain is concerned with the future, rather than the past or present, and is a promise of a reversal of the status quo of the first quatrain.
- The second quatrain also shifts to the passive voice, which removes the doer of the action.
- The return of the fire and the light are both promised to be sudden events, not gradual.
- Only the last line is in active voice, naming “the crownless” as both the doer of all these verbs and associates him with the four aphorisms in the first quatrain.
- The reawakening of the fire prefigures the renewed of the blade that was broken. This fire also evokes the light of the sword, which will be called The Flame of the West (Andúril).
- The idea of the crownless becoming king is a restoration, not a usurpation of an existing king.
- Note: The kings of Gondor had crowns, though the kings of Arnor were primarily associated with the Sceptre of Annúminas. In Appendix A, this poem is referenced to explain that when Bilbo spoke of a crown, he was referencing Gondor.
- Note: Bilbo is not doing prophecy, nor is he quoting a prophecy given to him by Aragorn. However, he is making bold to say this as fact, while Aragorn only talks of it as a hope. The only prophecy among the Dúnedain of Arnor is that the sword would be reforged when the Ring was found. Bilbo fulfilled the latter part of that prophecy, so he makes predictions about the former.
- Is the poem about Aragorn personally or about the line of Isildur in general? It can be applied either way but making it about Aragorn personally is bolder and more immediate.
- Note: Bilbo will say later that he wrote it for Aragorn, and Aragorn takes it as being about him.
- Note: The fact that Bilbo has written this poem, but not in hobbit meter, is important. This is a non-hobbit subject, and Bilbo has made sure to make the form of it different as a result.
- Gandalf also includes the poem because its injunction about looking underneath outer appearances is highly applicable to the situation.
- Gandalf may intend this as a kind of password, but his lack of any instructions shows his haste.