Nicholas Palazzo
Well-Known Member
I do feel obligated to point out that Void does tend to suggest a certain amount of ... no substance. 
I understand that reservation. Or perhaps notThe only thing that I don't like about the Timeless Halls floating in nothingness that that it seems to suggest that they exist within the Void, whereas I would sort of rather do it the other way 'round, if they are to be contiguous at all. This is part of the reason I suggested the Void begin as waves on the "shores" of the Timeless Halls: the implication of a shore is that it goes all the way down, and the water is contained within a cavity in the earth, even if the feeling one gets standing on a short is sort of a standing on an edge. While I understand that this means we might visually confuse the Void with having some sort of substance, I think that the recession of the "water" of the void into a blackness on the horizon, where there is no distinguishable line between the Void "water" and the Void "sky" is pretty attractive in a way that a floating hall or floating island really isn't. It's one of the sort of exciting things about looking out to sea at night from a city: the stars remain invisible, and therefore you have no way to discern where the sky begins and the ocean ends, but you can very clearly still make out the shore line in either direction because of the contrast of the bright sand and the dark water.
Well there is the possibility that Melkor is the only one leaving the Halls and when he leaves the existence of the Halls he brings the quality of existence with him. That would create emptiness but that would be more than nothing.Look, this is a visual depiction of a metaphysical concept, which means there's only really three ways to do it. If the Void exists as a place apart from the Timeless Halls that Melkor can enter into, then it exists. Even if that place is filled with nothing, it is still a place that he can go. As such, the Timeless Halls cannot itself be within the Void without making the Timeless Halls smaller than the Void. The only remaining alternatives are that they border one another, or the Void is contained within the Timeless Halls. Having them border one another seems the easiest to depict: otherwise we're looking at a perfectly empty container of some kind, and that kind of shreds the enormity and desolation of it. I really do not like the idea of the Void surrounding the Timeless Halls, that seems entirely backwards to me.
I mean, to my mind, they're separate planes of existence, but I'm not keen on going Men in Black with it and representing the Universe as a glass bauble filled with existence. Certainly Tartarus was reachable via physically walking to a place on the Earth, but I do not think we're obliged to think that the Timeless Halls are the Elysian Fields, and I certainly don't think the same could be said of Tolkien's Legendarium. And as I said, the descriptions in the Silmarillion seem to me rather to suggest that it's the other way around, that the void is contained within the Timeless Halls. I haven't got my copy of the Silmarillion in the same time zone, so I would appreciate it if someone could throw up the few passages that discuss Melkor and the Void so we can have something more substantial (har-har) than my vague recollections to work with.Well, unless the Timeless Halls stretch infinitely in one direction, they are perforce surrounded by the Void. The Halls should seem large while we are in them, but I think it's a good image to see them as a small bright spot, looking back from the Void. It will make Melkor seem an outsider and profoundly alone - a good image for him for later.
I don't see a problem with the Timeless Halls being surrounded by the Void, nor do I see how we would in any way avoid that.
The Void is, more or less, Outer Space. So, yes, you can travel through it and it has distances, but, for the most part...there's nothing there (this is Outer Space without stars or planets or comets or....anything). A vacuum. Having the nothingness of the Void try to 'bleed' away some of Melkor's substance, possibly blurring his outline after awhile, would be a way to depict the danger of this space. It may be possible to use the imagery of a beach and an 'ocean' of nothingness when looking out at the Void from within the Halls, though. The floor doesn't have to be insubstantial.
Also, it occurs to me that the 'no throne' idea has some implications that deviate from the text. Ilúvatar clearly has a throne in the Ainulindale, and he is sitting on it while the Ainur perform their Music. So, are we changing that? I am okay with the change, as I like the idea that he doesn't need a throne, but visually, he won't be able to stand up to interrupt the music if he's not seated when it begins.
I mean, I think my previous assertion that the Void is contained within the Halls is just me responding to the amount of "into" that pops up, what you've got there reads an awful lot like just being a separate plane rather than being contiguous or physically connected in any way. I definitely don't get the feeling that the Void surrounds the Halls at all, though, I would expect to see "out" if that were the case.