To be clear, the suggestion to introduce variety among the different Houses of Men was not made to fit some sort of quota, nor simply to have diversity for the sake of diversity. The goal was to start with the descriptions given by Tolkien, and then determine how to show those distinctions in the physical characteristics of the people. Now, Tolkien spends a lot more words on specifying hair and eye color than on skin tone, but there is the occasional 'swarthy' or 'ruddy' or 'brown' mixed in to suggest that there is some variety, though the extent is left up to interpretation. And, in this process, it has turned out that some people do tend to envision all of Tolkien's characters as very white, northern European in appearance....while other people do not, and tend to envision the characters with a greater variety of skin tones. No one is suggesting that either version is necessary nor correct - both are possible interpretations of the texts as written, and both are possible within our adaptation (especially for the Dwarves and the Edain). So, now it remains up to us to make choices about what to do, and that is something we will be discussing in Season 5.
I know we're just joking here, but Silm Film makes little (read: no) effort to be topical. We aren't presenting liberal or conservative ideas. We aren't commenting on current events or making references to pop culture. Now, if someone reads something about current issues into the stories presented, that's fine, as all stories are open to interpretation, especially when it comes to applicability. Obviously, our fantasy casting process has no basis in reality and isn't giving anyone a job. I personally am aware that this conversation is part of a broader conversation about the depiction of race in adaptations of Tolkien's work, though, and will remain mindful of that as we make our choices.
I know we're just joking here, but Silm Film makes little (read: no) effort to be topical. We aren't presenting liberal or conservative ideas. We aren't commenting on current events or making references to pop culture. Now, if someone reads something about current issues into the stories presented, that's fine, as all stories are open to interpretation, especially when it comes to applicability. Obviously, our fantasy casting process has no basis in reality and isn't giving anyone a job. I personally am aware that this conversation is part of a broader conversation about the depiction of race in adaptations of Tolkien's work, though, and will remain mindful of that as we make our choices.