Out of curiousity, Odola, do you honestly think that bringing his wife flowers will do more to mitigate his flaws this season than reconciling with his daughter and giving Beren and Luthien's marriage his blessing?
We have Thingol acting as a jerk again and again. While accepting finally the fact that Luthien is set on Beren, accepting this fact does nothing to rehablitate his behaviour toward Melian. Small gestures go a long way. Showing that even if he ignores Melian in his professional life - in spite of her great contibution to his success therein - he still deeply cares for her in private makes it understandable why she puts up with it at all. We do not want her to come off as a "bullied wife".
I have no issue with depicting Thingol as a spontaneously thoughtful husband.
I just think that that example is small potatoes compared to the actual character arc we have planned for Thingol this season and am frankly confused by this insistence that his stint as a father who disapproves of his daughter's suitor creates a crisis of his entire legacy.
Small potatoes maybe but still "small gifts preserve friendship"- as it is said [Edit: this is actually an old German saying: "Kleine Geschenke erhalten die Freundschaft"]. It is a small thing we can show to make sure the audience remembers that he still cares for Melian at all.
He has time to rethink his actions, and indeed makes a different call in the end.
But we do not see his thoughts. His actions do not necessary show repentance nor even that he understands what he has done wrong in the first place, why it was wrong and is sorry for it. What we see is that Luthien has proven herself to a degree that he has no other choice but to accept it.
That is the tale in the book, and that is the story we are attempting to tell as well.
True, but from the summary perspective the book it told we do not see his detailed motivation at all. We mostly follow the actions there, but not character development. As such it the book can aford to let much more things vague and unexplained that our much nearer perspective does not. It is like the difference between the Hobbit and TLOTR books. The "detailed resolution" is completely different in both styles of story.
We have done a lot to set up Thingol in this season ever since we introduced him in the first episode of Season 2. When we presented the Season 4 episode in which he learns of the Kinslaying and declares the Ban, a few observers from the Prancing Pony Podcast complained that Thingol wasn't jerky enough, and that he gave too much weight to Melian's counsel. To which we said...just wait! He's getting there, but he's not there yet.
Thingol is a mixed bag but he has to stay mixed. He cann lose his balance to either side. For all his faults he has to be and stay one of the greatest elven king ever. In this season, as the sory demands him to be a jerk a lot imho we must take
concious efforts to prevent the audience losing their respect for him. If they dismiss him as a jerk just with more power than he deserves and is emotionally done with him neither his death will have much impact nor is Dior's story at all understandable. Yes, Dior's life is short - he lives for ca. 40 years only and rules only 3. But still, even if he feels like a placeholder, he is the pivotal point for the whole Peredhil plotline. And - as I stated before - if we do not get Thingol right we are completely unable to get Dior right, and in the longe run - even our beloved Elrond. "Actions have consequences" - some very far-reaching ones.
We were establishing a template of how Thingol reacts to bad news, and how he makes his decisions. His behavior in Season 6 should very much feel like it's the same guy from Season 4. But this time, his reaction is stronger.
Yes. Still the audiance has to see and be reminded off that Thingol is a big deal still, a powerfull, wise, comitted elvish king, who admittedly does gets overpowered by his emotions at times and does unwise things which can have grave consequences, but he still remains loving towards his wife, daughter and people.
He has time to repent of his choices, and does so when he accepts that the quest is fulfilled...without actually getting a silmaril.
Do we see that repentance? How? We cannot see his thoughts. His later action do not prove him having learned much beyond "Luthien is not a little girl anymore, I have to pay her some respect" but this does not seem to be extend as much as even to include Melian.
I see a lot of bold text, and I recognize that you feel strongly about how Thingol is portrayed, but I am a bit confused as to what part of his 'jerky' behavior this season you feel is out of character for Thingol as written by Tolkien in this story?
When I tend to write a long passage I bold some parts to make sure the main pointI am making is easily found by a casual reader. If that bothers you, I can refrain from that.
As The Tolkien Professor said - we must try to avoid to make Thingol a caricature of an elvish king. If we do that, the audience will be disgusted by him. How then can be it understandable why Dior chooses to pick up his mantle later?
As many women reject being reduced to their role as wives and mothers only so reducing Thingol to just being Luthien's failing father - even if important for this particular part of the story that we tell this season - loses the sight of the big pictue - the important role he plays in the story as a whole. And this role of his should still remain possible for him to play. And he cannot do that if the audience loses their respect for him in this story. There is no way for him to really recover his reputation and good standing with the audience from such a blow in future plotlines - even in the Turin one, where his good intentions stay consistently fruitless and ineffective. So we should take care the audience never completely loses their respect for him in this one in the first place.
The removal of the Doriath attack form the B&L removes exactly that element from the story - it removes the reminder to the audience that Thingol is a competent, valiant, brave and effective elvish king. If we remove that, we have to make up for it otherwise - to keep his character in balance.